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Showing posts with label MELBOURNE MUSEUM. Show all posts
Showing posts with label MELBOURNE MUSEUM. Show all posts

Tuesday, April 27, 2010

~ a third column

I started this blog because, like everyone who gets into blogging, I wanted to add a third column to my ... template.ThreeColumnBlogger

Over the next week or so, health willing, I’m going to make an effort to update the Sails of Oblivion layout, so please excuse me if the page looks strange from time to time. I really want that third column ... mainly for the twitter feed and all that stuff which gets lost at the bottom. And I think it’s time for an improved header. And a fresh new look all round.

I saw a little wattlebird yesterday. Similar to the common red wattlebird but devoid of wattle and yellow-stained chest, and blessed with a distinctive, possibly even more demented range of vocalisations. Today there were some masked lapwings on one of the Monash Uni ovals. In the Valley Reserve I witnessed the wonderful display of a flirty grey fantail and, briefly, I think, an eastern spinebill.

As long as I can remember, there have been tiny brown and grey chirruping birds living outside the window of my study. Like all species, they have their own specific character - a thing which birders (unfortunately) call their ‘jizz’ - but until recently their identity has remained mysterious. Despite their abundance, it was a hard job pinning them down - even with the help of my new field guide. They do not look spectacular; they are not an imposing bird in any way, yet they colour the ambience here with their twitters and trills, and the flickering they do among the leaves. I am sure I would notice their absence.

I learned that they are brown thornbills - and with this knowledge a world opened up, just there, outside my window, of which I had no real prior awareness. Now I know their preferences, the months they breed, the kind of nests they make and the extent of their range. It’s all so ... fascinating. A name is a key - and never more so now we have the internet.

I am beginning to see the hot churning black hole at the centre of the birder’s mind; I am beginning to feel its irresistible attraction ...


This is the long-billed corella. The last few mornings I have heard the harsh, grating voices of a flock passing high above the house. The bird often looks scruffy because it has a habit of digging for tubers, including, helpfully, the bulb of the hideous onion weed. The individual above, (photographed by Noodle Snacks) is, however, perfectly presented, though
the bloody bib suggests (falsely) that it may recently have been gnawing at something’s throat.

Yesterday, Polly imprisoned a daddy long legs in a small lidded container together with a snail in the hope that by morning they would have ‘mated’. Also, she’s acquired a device called an R5 which holds eighty games and can be plugged into the back of her DS - this will settle her for the next week or two



Speaking of mating, did you hear about the transgenic pig-sheep? I was excited for a while - and hopeful, thinking it might have some advantages for the environment. We farm pigs anyway; if they could grow wool as well as bacon, then there's got to be some kind of energy saving. Perhaps some of our sheep pastures could be turned to forests roamed by woolly free-range pigs? Disappointingly, the abomination turned out to be the Mangalitza, a rare porcine breed from Austria with no apparent sheep genetics. Still, the idea is there. There's no reason to give up hope entirely.

And if only there were a substance that was neither illegal nor poisonous which you could have just a little of as night begins to fall. Something to make you laugh and forget how tired and sick you feel, something to elevate the spirit and anaesthetise some of the wounds acquired during the day - and which did not give you a hangover. Is Big Pharma working on something like this? Would they be allowed to? And if they succeeded, would it be legal?



This is a an old car that burned in the black Saturday bushfires. It was part of a collection of valuable Australian antiques and was donated to the Melbourne Museum in the condition you see. The chassis of most modern cars warped, even melted in the terrible heat, but older cars, with heavier steel bodies, seem to have been able to hold their shape. Mind you, the insides were a charred and melted melange.

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Monday, January 28, 2008

~ preserved in amethyst

I’ve been experiencing a hiccup with Ambergris, the play I’m writing set on an island off the Queensland coast. [You could call it Almost-Stradbroke.] The problem involves the disappearance of a girl, Lily, about seven years old, who ventures off with some hay to feed a horse and never returns. The play is set three years later, and the issue of the girl’s disappearance is important, but not central.

I’ve hammered out most of the plot, but what happens to the girl has been a sticking point. I haven’t been able to work out an appropriate fate. It can’t be too boring. And it can’t be too weird. [I’ve resolved myself to making this play a little less bizarre than my previous work].

There’s a dog named ‘Chunk’ who was with Lily when she disappeared. He knows something; he keeps returning to a certain place, but no one can figure out why. I also want to suggest, only vaguely, that the girl was ‘taken’ by the island. [with no similarity whatsoever to ‘Lost’] She is innocent, a child of nature. You know what I mean. Fodder for The Green Man.

Anyway, I’m getting close now. I’m thinking about the preservation of corpses.

I was at the Melbourne Museum yesterday with Polly and Lynne, attending The Bee Circus – a weird composite of bee information seminar and circus skills exhibition, performed and devised by kids from circus school. [Polly loved it.]

If I am to preserve Lily, I must decide how. At the Museum there was a replica of some corpses from Pompeii, but that’s far too violent a death. There was a mummy too, but that’s artificial – although the natron is a possibility. [Natron is a mixture of sodium bicarbonate and sodium chloride mined by the Egyptians in the Natron Valley. Just as salt sucks red wine from carpets, natron sucks juices from corpses.]


I need something slow and painless. I’m thinking of having her explore a cave system. After falling asleep, she could be gently gassed by some venting of the Earth, some mysterious Gaian afflatus, or else drugged by a dripping mineral opiate.

Then the processes of nature would set to work. Recognising the unique beauty of her spirit, the Earth will opt not to putrefy her, but to preserve her - with moss, limestone, lichen, rust and roots. Or might she be bitten by a snake or a gold and turquoise spider with preservative for venom?

There are a lot of factual options for preservation. Certain soil conditions can be responsible. Aridity. Ice. The twelfth Pandito Hambo Lama achieved preservation through ‘a form of meditation known as shunyata, or emptiness’, [Fortean Times #184], ‘coupled with prolonged starvation and slow self-suffocation using a special belt that connects the neck with the knees in a lotus position’ [Wikipedia]

Doctor Glob’s ‘The Bog People’ is a book dear to my heart. It deals with the marvellously preserved corpses found in European peat bogs. ’There is a strange power in bog water,’ it is said, ‘which prevents decay’.

Perhaps some of the chemical processes may be useful, but not the violence. A lot of these Iron Age preservations were human sacrifices found with garrottes about their necks.


Nowadays we have cryogenics, formalin and Gunther von Hagens' ‘s plastination technique, but perhaps there are natural analogues. My fictional island is rich in minerals, after all …

The most intriguing thing I encountered at the museum was this:


Lynne made the connection. Somehow, she has always been able to track the way my mind wanders. I could easily imagine Lily encased in something like this formation of amethyst, flesh transmuted into gemstone, like something from the pages of Ballard’s The Crystal World.

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