~ a mould of note

These last weeks, my mentality has been feverishly occupied.

Many of my ideas have sunk, slowly, like a poisonous dustfall through the Glimmung’s phantasmagoric ocean, past the sunken cathedral of aeons past - and still deeper to that place where bad thoughts go to die.

But some have served to feed the ever burgeoning Encyclopaedia of Nonesuch. Choices for the name of my protagonist have been whittled down from about twenty to two: Alsus and Alsace. At present I am leaning towards the latter.

Alsace has a new tutor, a tall unsmiling man named Northy, who is more bodyguard than pedagogue - sent from afar by Alsace’s father, Ashen, as the political situation rapidly deteriorates. Touched while still a babe, Northy is formed from canon-tree wood. Another new character has emerged: Jequirity Pea, a girl from a local tribe of Emeraldim whose tattoos - with their eldritch geometries - strike to the heart of Alsace's’ sexual instinct. Jequirity is the only person with the ability to perceive Almathea, the blue spirit who walks behind Alsace. Jequirity, like all women of the Emeraldim has pale green teeth and an intriguing tablier Egyptien ...

But now, to the point:

Please observe this section of soft refrigerated tofu, abandoned for an indeterminate period in a zone reserved for non-preferred mustards, 99% fat-free French salad dressing, blue cheese salad dressing and Outback Brand lime, chilli and ginger sauce.


Mould comes in many colours - green, grey, blue etc. – which are often specific to the substance on which it grows. But upon this block of tofu there appeared an outcrop of almost fluorescent purple, which my camera could not perfectly reproduce. I made repeated attempts with different backgrounds, in various light conditions, but you’ll have to trust me that it was even brighter, even more purple and iridescent than it appears in these images.

Purple mould. Livid ultraviolet mould. Perhaps I have seen too little rancid tofu in my time, but I do find this extraordinary.

I ask myself, since the species appears so unnatural, could it perhaps be unnatural. Might some outrageous additive have spurred a providential mutation?

Further to the dreadful food-industry practices I described in a previous post, some recently announced Chinese food safety protocols have outlawed a swathe of other stomach-turning activities. Boron (among other things, an insecticide) has been used to increase the elasticity of meatballs and noodles. Formaldehyde and/or lye are routinely ‘added to water in which seafood is soaked to make the produce appear fresher and bigger’. Also banned, interestingly, is the traditional use of ‘an addictive substance made from the poppy plant ... used in hot pot, a Chinese dish where meat, vegetables and tofu are cooked at the table’.

In a culture where food colourings seem interchangeable with industrial dyes, increased regulation is certainly good news but, typically, I have veered from the subject of my post: this novel and uncommonly beautiful mycelium.


I won’t prattle on further, except to pose a series of questions.

Is the steady increase in the size of the strawberry a reflection on our society? Perhaps even on our humanity? What is the meaning behind our urge to force the species so far beyond its natural size? This very day, if one wished, one could go out and purchase a strawberry approaching the size of an apple. Why have we worked so hard to grant ourselves this dubious boon? What lies behind this strange imperative?


As the strawberry bloated under the devious hands of the food-scientists, initially the flavour did not keep pace – but now this hurdle seems to have been overcome. The hydrocephalic supermarket strains are becoming as sweet and densely-flavoured as the strawberries of yesteryear – though not, of course, the wild strawberry, which now tastes like an entirely different species.

As the concept of the punnet becomes increasingly ridiculous, broad trays of strawberries are becoming more common. Soon perhaps, we will purchase them in something akin to egg-cartons. Commercial Fruit Behemoths will develop a hardier skin, allowing the strawberry to enter the aisles, if not of golden delicious and fuji, then of the stone-fruit which it has already begun to dwarf.

And, as their genomes are mapped and turned inside-out, will raspberries and blueberries also become subject to the same process of forced gigantism?

~ extraordinary things

Life used to be flush with excitement. Awesome things used to happen all the time.

But these days, not only is my existence monotonous, predictable and unexceptional, but I would fight tooth and claw to keep it that way. Sure, those ever advancing years are at least partly to blame. And yes, my life is probably a little more interesting than I make it out to be – but reasonable certainty that tomorrow will be pretty much like today is a large part of what keeps me together, helps me stave off depression, be a consistent father, obey the orders of my beautiful wife - and work.

If you’re writing a novel, you need to work pretty much every day, and for hours – in my case at least four. The days go by. The words get written. And I find I’m spending a good part of my mental life in the chaotic fantasy world of Nonesuch.

That’s how I’ve replaced the madness of my youth. That’s how I get my jollies these days. In the mind. The mind.

In Nonesuch. In Alastair Reynolds' space opera House of Suns. In David Mitchell’s Cloud Atlas. In my library, where thousands of books, accumulated over decades, emanate an aura of profound comfort and potential … I can go anywhere … what's more, in the next room, the internet, and you ...

Did you read the article about cognition and exercise last week? An experimental study strongly suggests that regular daily exercise leads to improved mental function. It makes sense to me, gives me even more impetus for my exercise regime. What's more, a few days ago I discovered Dr Norman Doidge and the concept of neuroplasticity. The act of thinking actually involves synaptic growth and can even turn genes on and off. Believe me, I’m back doing my crosswords. I'm an immediate convert. No doubt, cerebral exercise is at least as important as physical. Particularly – as I repeat myself like a weary, warped, worn-out record – if the years are accumulating behind you.

They say your mind goes as you die from liver cancer. What a harrowing thought. I’ll have to put something in my will about that. I want to be turned off before my wits go. Just pump me to the eyeballs with morphine and let the sisters of mercy call down the birds ….

Lately, you see, I've had this thing with birds … And I feel I’m about to have a thing with fungus … It’s my way of going deeper, finding the Breugelian phantasmagoria beneath every rock, brick and decaying log … Imagine how much there is to learn about those strange growths … imagine knowing the name of even the humblest toadstool ... Who cares if they’re a hundred feet from the Monash freeway … My god, I’m shivering with excitement!

There’s a whole boring old suburb out there, full of boring old people; there are mundane parks and common species … but when you get into the detail, well, it can transform into a wonderland… That’s what I started out trying to say. I’ve learned to take delight in the little things. I'm learning to find community in the place I live, rather than where I go mental.

Howard Arkley, the artist who lived and died not far from here, was unearthing something similar in his work. Lounge suites, common as muck, burning with neon intensity. But when drugs intervened, then his sense of wonder was whisked away - and he was left with shabby old furniture and a rafter from which to hang himself.

Here are the lyrics to a song I wrote in the nineties. It was for Lynne, the woman who taught me that ordinary could be astonishing.

*

extraordinary thing

she likes terrifying things.
she likes death-defying things
beware her paperclip and her useless piece of string.
beware the texture of her skin.

he loves convoluting things
he loves interwoven things
M.C. Escher folds his hands under his chin
enthralled by the deployment of her limbs

that girl who lies beside you -
has got the strangest idols

she likes ordinary things,
but she’s no ordinary thing.

she likes mortifying things.
she likes nauseating things.
beware her laser beams and her paralysing sting.
beware her vanities and sins.

she likes aggravating things
she likes modifying things
she wants a murky world where logic is a sin
and where confusion reigns, she’s king.

that girl who lies beside you -
has got the strangest idols

she likes ordinary things,
but she’s no ordinary thing.

extraordinary thing
extraordinary thing

(From Sweet Secretions by Fact. Available in your local remainder bin or op-shop.)

*

A final note. I've added an important update to the post titled Blue Streaks of Paranoia

~ the wad

It came to me at the bottom of a cold dark well. I would write a fantasy novel. In fact three, a trilogy, something as surreal and rabelaisian as China Mieville, but which would sell like Terry Pratchett.

A month later and I haven’t yet got bored of the idea. In fact it’s going rather well. Slow, but well. I can’t imagine how I will ever complete it, but I’m not letting that get in the way. I’m going to send some finished chapters around the place and get some reaction, then I’ll either bite the bullet and write the whole thing, or do something else.

The novel is set in two interconnected worlds: Nonesuch, dominated by a planet-girdling forest called (at this stage) The Weald, and Telesium, the spirit world, accessible by Séance, by the herb sleither, and by rites of the shrouded Velleity. So far, I’ve spent most of the time building the universe, naming the plants and animals, the seasons, the rules of Nature, the history of human civilisation … making a map, the all-important map. Though, as is my way, I still waste time with intricate, richly textured details that may never see the light of print, I have been uncharacteristically strict with myself. I have a believable world, three or four chapters in draft and one polished off.

At present I’m worried about the name of the male protagonist, Lamarc. It’s not bad, but it’s not of the rank of, say, Alsace, his father, or Teasel, his mother, or Tetany, the evil queen. If you’ve got any suggestions? The victim of the recent light plane crash in Moorabbin had a beautiful name: Akash Ananth. Either would be better than Lamarc, I think. But I’m not sure. Perhaps too sub-continental …

Anyway, here’s a snippet ... Unknowingly drawn by the mysterious discorporate entity Almathea, the child Lamarc is venturing perilously into the phantasmagoric Weald …

*

Deeper in the wildness, in close musty pockets where the sun scarcely penetrated, he had observed a very curious and poorly understood creature - or perhaps part of creature, or perhaps plant - known as the wad. It was a cube roughly the size of a human head, composed of a moist translucent meat-like substance, veined with something blackish that could be seen to flow and packed with pebble-sized organelles in pale shades of red, blue and grey. Behaviourally, the wad was elementary. It fell; unexpectedly and from on high - from no visible resting place or eyrie, seeming to materialize in mid-air. It would slap into the earth, scattering leaves and mulch, then proceed to decay in natural order, offering its stored minerals and energy to the Weald. No doubt the wad could kill, if one was caught beneath it, but to Lamarc’s knowledge no one had yet had such tremendous bad luck.

The wad was a very strange thing, but it was a useful reminder that everything to do with the Weald was fundamentally strange. If Lamarc was ever in danger of acclimatising to the outlandishness of life in the forest, the wad was always there to pull him up. A queer thing in its essence. No apparent rhyme or reason. Brute strangeness.

In these congested areas, he could feel the Weald in everything. It transfused from soil to air, from leaf to root to thallus, from rain to tongue; everything swollen and heated with the workings of the ecome.

*

Some other news … The re-release of the Beargarden album All That Fall is looming. The delay has been my fault. I’ve insisted on writing liner notes that contain a potted history of the band, and since I’ve been hiding under a rock until recently, nothing has got done. Now I’m working again and the biography is almost ready. It’s long and full of dirt.

We’ve been spurred to action by word of movement regarding the long awaited Dogs in Space DVD release. We want to release an Ears album around the same time, but, according to our schedule, we can’t do that until the Beargarden is done and dusted.

Apparently, commentary tracks are being prepared for the DVD, so Mick Lewis (Ears guitarist) and I have decided to our services to R. Lowenstein. We’re so excited about it, we may do it whether it’s included or not.