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Monday, December 13, 2010

~ soulless machinations

Walking Polly to school today, there were more musk lorikeets than I have ever seen in Mt Waverley. I love these birds - so much sweeter and gentler than the brash, squawking rainbow lorikeets who vastly outnumber them.

This is the best I could do by way of photos.



About a month ago, the house was burgled while we were taking Polly to school. My camera was taken, and my ipod - two things I find it hard to live without - despite their being in such poor condition I doubt if our robber would have got a penny for them. Indeed, I cannot think of one item of loot he might have recouped on. Jenny’s wisdom tooth? My back pack? My car keys...?

People say the sense of invasion is the worst thing about house robberies. For me, it was the vision of what went on in the guy’s head ... the soulless machinations ... the utter lack of empathy ... Why did (he) give Polly’s room such particular treatment...? It would have been blatantly obvious that our household was low on valuables ... but still he went for the very little there was ... It’s saddening
to me that such dismal creatures live amongst us.

The bright side, however, is that I’ve replaced my camera - and can resume my record of Mt Waverley’s most meagre denizens. It continues to amaze me how such a cheap little device can reap such results ...

First, a blue-tail damselfly ...


an orchid dupe wasp ...

and some green grocer cicadas.



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Sunday, December 5, 2010

~ lucas aid

Though I may have crystallised my brain in the aftermath, Thursday’s show came off pretty well. Perhaps there weren’t quite enough people there to deal entirely with Steve Lucas’s chronic back, but it was fulsome nevertheless. Every time I saw him, Lucas lay entirely prone on in one of the upstairs band rooms, his voice growly with painkillers, barely lifting his head as he pursued quiet conversation with his girlfriend, the singer of Dollsquad, who like the couch on which he lay was clothed head to toe in black vinyl. How he made it up the Geidi Prime-style industrial stairs to get there, I cannot imagine.

It was good to play a grungy down-to-earth gig. Morgen and Jane were there, and Nurin and Chrissie ... but there were lots of faces who haven’t seen us yet, in this latter day incarnation. Like every one of these new Ears shows it was ridiculously enjoyable, liberating, soul-lifting ... someone in the band-room pinned a badge on me that read ‘Music is Love’. It is love indeed, despite an occasional world shattering 120K hum on stage

And we got some of the most interesting reactions. Someone, it may have been Charlie Owen, said that when he arrived, during the Ears set, his interest was piqued by what he thought was some young interesting new band - that was until he saw the grey hair. Someone else excused the Nick Cave influence in my stage movements when he realised that everyone must have moved like that back then. Someone said we sounded like Muse but without the annoying whine. Even the enigmatic ‘Donald’ said he was ‘surprised’ and that he ‘didn’t mean it as an insult’. Kerry (Simpson), who has been filling in when Cathy McQuade can’t make it down from Sydney to do vocals, also got some really good reports.

Ashton Davey, who organised the show, deserves a word too.

My head feels full of cotton wool and I’m going to give up trying to string words together. A final thanks to Simon Polinski who during these past week has finished the masters of The Ears and Beargarden material now available for download on Bandcamp. It’s a satisfying feeling, a sense of resolution, making that music available again. It’s no longer orphaned, half-forgotten. And it’s about time The Ears released an album.

Below is a picture of me 'fixing up' some vocals at Simon's place. On Thursday someone actually asked me if I use botox! People say the weirdest things.



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Thursday, November 25, 2010

~ pressure release


I realised the other day - perhaps belatedly - why I’m seeing so many old-fashioned cigarette cases, particularly in the hands of women. It’s the images of diseased flesh, of course, which the arbiters of social control place with good intent on the commercial packaging, Evidently, some have begun to weary of carrying about with them, on open display, these increasingly nasty, glutinous, decomposing visions of a possible future.

On a lighter note, my legal situation continues to look brighter. It’s strange that every single person I’ve told about my conundrums has said ‘you won’t lose your house, not for that’ - while the lawyers and the law itself said - if I was found guilty it would mandatorily be seized No discretion. Well my friends were right. The house appears safe. I can garden again. I can make it nice. I can get Robert to fix things without the horrible possibility looming that it would be torn from my hands.

Yesterday, in the County Court, I pled guilty to cultivation and possession, in exchange for a nullification of the trafficking and commercial supply charges. Now my friends are telling me I won’t go to jail. I hope they’re right. There’s still a fight to be had.

I’ve been obsessing over the re-lease of old material of late, and over music generally. The old Beargarden album ‘All That Fall’ is available, for better or worse, on Bandcamp.com and will spread to the other digital outlets. I was interviewed by some eighties aficionados the other day in my lounge room and they were terribly excited. Typically, the little black cat captured and tortured and consumed a skink in the background while we were talking. For those interested in Beargarden, there’s a bits and bobs album - The Word That Refers To The Word That Refers to Walt Disney - becoming available in the same place this week. It’s better than the other one, I think.

With the help of the redoubtable Simon Polinski, and his tremendous hospitality, we’ve been collecting up and mastering the Ears record (Dogs in Space). It looks like 16 tracks now and it also will also appear on Bandcamp within days.

We’re on the bill at Lucasaid. Thursday the 2nd December - one week from today


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Monday, November 1, 2010

~ wry


I’ve had a good week. My grant proposal for Ambergris (the play I’ve been battling with for a few years now) was accepted by the Victorian Arts Ministry. It’s been a long time since I’ve attempted one of these and, towards the end of the tram-ride to Brunswick for the announcements, I’d more or less convinced myself there was no way I was going to get it. As a result, when I found my name on the list (coupled with the descriptor 'Mt Waverley') I practically fainted. I couldn’t have been more excited if I’d won a Nobel Prize.

Speaking of prizes, if you’re in need of some comprehensive entertainment, watch Steve Kilbey’s acceptance speech for The Church’s induction into the Aria Hall of Fame. Quel raconteur! (I could only find it on facebook, but it must exist elsewhere)

Speaking of Mt Waverley, it’s the time of bleating baby magpies. A family of these birds has staked a place in the peppermint gum outside my study window, and their child is incorrigible. Three times I had to go out there today with a broomstick. There is also a nest of brown thornbills, smaller than sparrows, whose trills and tweets are completely charming.

I had what amounted to a panic attack in a crowded Vic Roads office today. I think I was experiencing flashbacks of jail. The guy behind the counter looked like a screw - thick-set and crewcut - and he had me utterly flustered trying to explain the identity of the person from whom I was trying to transfer ownership of my new car... It was horrible. But Polly wants to marry a mango-tree when she grows up, and I suppose that’s positive. Also, there is at least one kid at her school who is allergic to band-aids. Go figure. Additionally, on the radio, I believe I heard an advertisement for a model of car called an Autobiography. If I wasn’t dreaming, that’s got to be strong indicator of the social climate.

On Saturday night, accompanied by my exotic Japanese friend M, I went to The Old Bar to see Harry Howard and The Near Death Experience. It was raining torrentially and the atmosphere in the place was a little wanting, but they were far from. They were kind of... curious, intriguing, definitively offbeat. I couldn’t possibly think of anything with which to compare them. They were far more rhythm than melody, with a kind of weird, elusive 60’s pop influence, or something ... and though their songs were concerned with death, sickness, hate and so forth, the prevailing mood was, well, wry. But then, I guess, any band containing Harry Howard could not fail to be wry. It was also good to watch Claire Moore’s drumming. I haven’t seen her do that for an aeon.

By the way, here's the cover art for the forthcoming CD from The Ears. And yes, after a strictly commercial decision, it's called Dogs in Space.



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Sunday, October 24, 2010

~ something eldritch


My lovely, though sometimes worryingly anaemic psychologist is arranging for me to have a 'neuro-assessment'. It’s a legal thing, but it might be interesting. I do like to count things. For instance, and for your edification, I eat 12 strawberries, 5 dates and 5 prunes daily, together with many other things in precise amounts. When I exercise - which I must do to avoid shrivelling - I presently do 18 laps of freestyle, 4 of breaststroke and smaller numbers of kickboard etc. Whenever I address a task, I try to control it with numbers.

But if you look at my office, or my bedroom, it’s a study in entropy. Whatever I’m concentrating on is usually nice and ordered, but everything on the periphery reliably degrades to merde. I also once put my shoes in the fridge while contemplating something else. And both of my most recent long-term ex-girlfriends tell me I have some symptoms of asperbergers.

Admittedly, all things considered, I must sit somewhere on the scale between eccentricity and outright madness. Outside of the obligatory depression and anxiety, I’ve never really considered myself mentally ill, but I suppose it makes sense to have a professionally-produced document to give the judge some sort of clue as to what he’s dealing with.

If I disappear suddenly, though, it may mean they’ve put me away. But don’t worry, I won’t be so stupid as to wear a pink shirt at any point in the near future.

Now, in answer to a query from a friend of mine:

Do sperms die if they’re not used? Or do they build up, increasing their numbers without limit? And, if so, where is this expanding reservoir of reproductive material stored? Do the testicles grow larger and larger as they are forced to harbour increasingly large amounts of flagellating microbes?

Well, the answer is elusive. People generally seem more concerned at how long sperm live outside the male body than within: including on hands, in washing machines and on toilet seats. Thankfully, sperm do have a limited lifespan within the male body. One source says 74 days. Another source says they take 65-74 days to develop. Another says that once they are ready they only last a few weeks, so lets say about 80 days from start to finish. But there are cells, stem cells I would guess, which are constantly shedding off new infant sperm - these cells, I gather, live as long as their host and if they die he becomes sterile.

So, here's a picture of something eldritch which was generated by the mind of a young boy whose mother, Susan, is a friend of mine.

Till next time.


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