~ the ears, the lyrebird, april fifteen

The Lyrebird Lounge is a tiny place, a shop front, but its size possibly had a bit to do with how wonderful the atmosphere became. Andrew had to sit on a couch with keyboard resting on his lap. I had to vocalise over an antique Galaga console. It was reminiscent of the old Exford Hotel, or perhaps the 475 Club from days of yore.

These latter-day shows by The Ears - without intending to overblow our personal trumpets - have, as they say, been pumping. And seething. And surging. If I didn’t have these accursed Hep C drugs in my system, sponging up my native energy before I’ve even generated it, I think I’d be inclined to put a good deal more time into the band. It’s fun to be a strange, thirty-year old, resuscitated, anachronistic musical artefact with a tightening death-grip on life. But you try bellowing to an audience for an hour with the twin, lead-filled panniers of interferon and ribavirin depending from your shoulders. Mind you, that’s just me; the rest of the band were steaming, and my work - if you could call something so thoroughly enjoyable ‘work’ - was probably okay, despite my reduced physical state. Mick’s girlfriend recorded most of the songs on a handheld gadget, and we watched the results today. Pretty amusing stuff. And all very exciting. I’ll edit some down and upload it to You Tube, if I’m able. And we’ll try to get some more shows organised. Hopefully, we’ll be playing at the Day at the Green in August - but I have the taste. I want something sooner.

I should also mention Josh Lord’s acidic, political, canvas-slash-poster-art which was on show a few doors down at The Bower. Very street. Very punk. Very distinctive voice. And the wonderful Ovals too, who also played at The Lyrebird. A bevy of courteous and bearded young men with a profound interest in the progressive rock of last century. They rang bells, tickled memories from my early teens; echoes of songs I couldn’t possibly have identified after the passage of so much time. Shades of King Crimson, Procul Harem, Mid Pink Floyd, ELP ... Gus, if you’re reading this, take note. There is simply so much music, so many styles, genres, attitudes ... not all can emerge from the vaults at once, to live again, but in observing The Ovals I was delighted to find this particular musical school resurrected and (naturally) given a new coat of paint.

~ the eve of the ballroom reunion

When the Ears played at The Corner last year, I spent the majority of the time either on my knees or flat on my back. The gig after that I resorted to an on-stage oxygen bottle. Tomorrow evening, which I am looking forward to exceedingly, I hope to vastly increase the time I spend on my feet. I’ve gotten into some sort of routine with my swimming, so my wind is better, my voice is louder and my legs are strong. Relatively speaking.

The vibe on this thing is extraordinary. Every man and his dog seems to know about it. And it’s a truly novel experience watching the discussions unfold ahead of time on the facebook events page ... and perhaps elsewhere, for all I know. Issues left unresolved a quarter of a century ago have resurfaced. There’s been bitterness, vitriol and sweet love. Old wounds have been reopened and cruelly salted.

Sociologically, it’s just so interesting.

A loose clique of friends and associates with similar interests, beholden to a similar fashion sense [mostly involving the colour black] and drawn to certain venues where its needs were most adequately served, dissolves over the decades into the greater cloud of humanity and is gone.

Then, much much later - like a male salmon releasing his milt into the stream - a package of memetic signals is released into society.

These signals are clues - gestural, semantic, mnemonic, perhaps even pheremonal - and intuitively, instinctively, the former members of the clique take note and respond - with the massive assistance of the tool that is facebook.

At once they precipitate from the population. From the suburbs they come, from colonies in the bush, from renovated terrace houses in places that used to be cool, and gather for a few precious hours,

Briefly, the old scene - wearier, less pert, less lissom, less nubile, more sluggish, flabbier, the heroin in their blood superseded by prescription medications - is born anew and briefly blossoms, before once again - like a shooting star in the heavens - it fades away.

How’s that for an analysis? I defy you for a better one!

I know it’ll make it a long evening, but I do advise getting there reasonably early for tickets. Our manager Dolores suspects that it may be a sellout and from the extent of interest I’m inclined to agree. I’ve even learnt that the person who heard mention of the Ears on Gold 104 was not, in fact, hallucinating.

The Ears rehearsed last night, by the way, and are champing at the bit. Cathy is down from Sydney with at least two outfits from which to choose. Nothing’s gone wrong with my voice. Mick is damn serious about it. Ross is just a fantastic bass player and is fundamentally conjoined with Carl. There’s something satisfying about watching experienced old ones do it just right. Our keyboardist, Andrew ‘Terence’ Park, is being tracked by the Parkes Observatory as he passes through the Kuiper Belt.

We don’t play often these days, so it feels like we’ve got to make it count. Strangely, we’re going to attempt a new song. It’s provisionally called ‘energumen'. Here are some of the lyrics ...

“I ate a golden egg! I ate a golden egg!”

Oh and the name-tag idea ... functional, ironic, stupid and monumentally off key, just my kettle of fish. Surrender your vanities at the door, my dark haughty emaciated brooding beloved.

~ saint jacket

At the recent Atheist Convention, Dan Barker - an apostate who was once an evangelist preacher but now runs the Freedom From Religion Foundation in the US - described what it was like being a vessel for god. No challenge could ever penetrate his faith, because - to paraphrase from memory - god was right there with him, a certain presence above and slightly to the rear of his head. How could he possibly doubt when, on stage, the numinous power surged through him, unerring and incandescent, whipping like a high-voltage cable, gathering energy from the swelling emotions of his congregation?

For some people - and it has been suggested the root cause may be genetic, - such levels of spiritual experience are possible. Barker’s experiences were unusual though, even in the very godly context in which he worked. Most of a religious bent merely trudge on, nourished by a workaday relationship with their god, in awe of the Dan Barkers of this world, of the St Bernadettes, the Ezekiels and St Johns with their visionary frenzies and holy ecstasies.

I’ve always suspected, intellectually, that football provides for me what I cannot get from religion - but last night at the Docklands Stadium, like Dan Barker, I felt something above and slightly to the rear of my head - and it wasn’t a drunken Collingwood supporter.

Admittedly, I was primed. A grey pall of depression moved with me as I passed across the city to the ground. Despite all my efforts, the precious things in my life are under renewed threat and, as I walked, I could see no way of saving them that hadn’t failed many times before. I felt as if I’d spent a century in a dark cul-de-sac, squinting at the mortar between the bricks, thinking it was an horizon.

I drank a glass of wine. Another. I took my seat (provided by the generosity of my dear friend Andrew Park) and spent two hours riding the violent emotional ebbs and flows of a truly strange game of footy. I merged with the body of saints fans like a droplet merges with an ocean. I screamed my tonsils out until the final bar of the final iteration of the club song after a truly famous victory. For a while I was immaculate and cleansed. My soul was pruned to a single essential fact: I was a devotee of the St Kilda football club, beyond that - nothing. The brilliant, courageous, harrowing performance of my team against Collingwood - particularly Collingwood - was all the meaning I needed.

It’s good, I suppose, that such feelings are evanescent. After all, there is a lot more to me than that. Let’s just hope that ... Nick Riewoldt’s hamstring doesn’t keep him out of the game for too long.

Above is a picture of Michelle's glorious jacket

~ perforated judean zombie

I won’t harp on it, but it was wonderful to be back at the football last night. A whole new season ahead, bright with potential ...

I bought both papers this morning, as I sometimes do when St Kilda has a particularly comprehensive victory - just so I can read twice as much about the game. So I can wallow like a pig in statistics, and linger on descriptions of our consummate skills.

But enough of that. It’s Easter Sunday, the Christian remodelling of the Jewish Passover, and before that a spring fertility feast dedicated to the Anglo-Saxon goddess Ēostre, from which, sayeth the venerable Bede, the word Easter derives. Others paid homage to the Babylonian Ishtar and the Chaldean Astarte (referred to in the Old Testament as ‘Ashtoreth the abomination’). The eggs are an obvious fertility symbol, as are the bunnies. What’s more, Wikipedia tells me that buns marked with a cross symbolising the four quarters of the moon were thought to have been eaten by Saxons in honour of Ēostre.

Currently, Easter celebrates the dubious claim that a man - who may in fact have been fictional - was reanimated after spending three days as a carcass, escaping his tomb to roam Jerusalem like some perforated Judean zombie. Of course this would be sensational news if it were true, but it’s not, and the reasoning behind this unlikely circumstance strains credulity even further. Resurrection - which is normally impossible - was viable in this case because the dead man was the creator of the universe. Bewilderingly, he was also the child of the creator of the universe, if I properly understand the tortuous theology....

Anyway, as a result of this non-event two thousand years ago, it took me ages getting my newspapers Almost everything that is ordinarily open of a Sunday morning was shut. As always, Easter not only inconveniences me, but makes me feel like an outcast.

There was a time when this land was spiritually homogeneous. Credulous adherents to the above mythology dominated so thoroughly that laws were actually passed preventing most things from operating on the anniversaries of Christ’s execution and putative resurrection. But those days are gone. More and more humans are questioning the rationality of such beliefs, and these humans should not be inconvenienced by the communal madness of the indoctrinated. It’s a form of discrimination, not only against atheists but against supporters of other religious brands.

On Good Friday afternoon, Andrew Park and I went seeking alcohol in Richmond. We passed about seven pubs and bottle shops on Victoria Street before we struck pay dirt. Ridiculous! Outrageous! And what was I doing in Richmond with Andrew Park, keyboard player for the miraculously resurrected Ears?

Well, we’re rehearsing again. Our haruspex has performed an augury and there may be a gig on the horizon. It could be related to a facebook group called I Got Drunk At The Crystal Ballroom - but the details are sketchy. If his prophesies hold water, I’ll shout it to the world. Ross Farnell, late of Beargarden, is on bass now and the band is sounding volcanic.