The Lyrebird Lounge is a tiny place, a shop front, but its size possibly had a bit to do with how wonderful the atmosphere became. Andrew had to sit on a couch with keyboard resting on his lap. I had to vocalise over an antique Galaga console. It was reminiscent of the old Exford Hotel, or perhaps the 475 Club from days of yore.
These latter-day shows by The Ears - without intending to overblow our personal trumpets - have, as they say, been pumping. And seething. And surging. If I didn’t have these accursed Hep C drugs in my system, sponging up my native energy before I’ve even generated it, I think I’d be inclined to put a good deal more time into the band. It’s fun to be a strange, thirty-year old, resuscitated, anachronistic musical artefact with a tightening death-grip on life. But you try bellowing to an audience for an hour with the twin, lead-filled panniers of interferon and ribavirin depending from your shoulders. Mind you, that’s just me; the rest of the band were steaming, and my work - if you could call something so thoroughly enjoyable ‘work’ - was probably okay, despite my reduced physical state. Mick’s girlfriend recorded most of the songs on a handheld gadget, and we watched the results today. Pretty amusing stuff. And all very exciting. I’ll edit some down and upload it to You Tube, if I’m able. And we’ll try to get some more shows organised. Hopefully, we’ll be playing at the Day at the Green in August - but I have the taste. I want something sooner.
I should also mention Josh Lord’s acidic, political, canvas-slash-poster-art which was on show a few doors down at The Bower. Very street. Very punk. Very distinctive voice. And the wonderful Ovals too, who also played at The Lyrebird. A bevy of courteous and bearded young men with a profound interest in the progressive rock of last century. They rang bells, tickled memories from my early teens; echoes of songs I couldn’t possibly have identified after the passage of so much time. Shades of King Crimson, Procul Harem, Mid Pink Floyd, ELP ... Gus, if you’re reading this, take note. There is simply so much music, so many styles, genres, attitudes ... not all can emerge from the vaults at once, to live again, but in observing The Ovals I was delighted to find this particular musical school resurrected and (naturally) given a new coat of paint.
Sunday, April 17, 2011
~ the ears, the lyrebird, april fifteen
Posted by Unknown at 12:08 AM
Labels: ANDREW PARK, GUS TILL, HEP C, INTERFERON, JOSH LORD, LYREBIRD LOUNGE, MICK LEWIS, MUSIC, PROG ROCK, THE EARS, THE OVALS
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